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Friday, November 30, 2012

A Three-color Mourning Cover to France in 1949

 

001

Mourning covers are seldom franked with commemorative stamps, but this registered three-color mourning cover is an exception.

Posted October 26, 1949, from Luxembourg-Gare, the franking includes the 2.50 F red and 4.00 F blue UPU 75th anniversary commemoratives that had been issued on October 6, 1949. 

The 3.00 F concession 20g letter rate to France and the 4.00 F registry fee are paid with the addition of the 50c violet G.D. Charlotte [3rd. series] definitive.

002

The backstamps are the Luxembourg-Ville transit cds dated October 26 and the Paris arrival cds dated October 28, 1949.

Saturday, November 24, 2012

17½c + 7½c = 25c

 

Marie.Adelaide

+

Marie.Adelaide.surcharge

=

25c

 

Sole uses of definitives on properly rated covers exude philatelic elegance.  But there is also rich philatelic beauty in covers that combine otherwise boring definitives with:

* a small village origin

* an uncommon destination, and

* an unusual combination franking

Here is such a cover:

003

Origin

Posted from Reisdorf, a small Luxembourg village on the Sûre river, just across from Germany, August 16, 1919.


Reisdorf

 

Unusual Combination Franking

003

The 25c UPU 20g letter rate is paid with a 7½c/10c Marie-Adélaïde surcharge plus a 17½c Marie-Adélaïde definitive. 

The 7½c surcharge had appeared on June 29, 1918, to pay the increased domestic postcard rate that took effect on July 1, 1918.  And the 17½c definitive had appeared in 1916 to pay the increased letter rate to Germany that took effect on August 1, 1916. 

 

Uncommon destination – Zárate, Argentina 

004a

 

The cover transits Buenos Aires, September 23, 1919, en route to Zárate, about 56 miles northeast on the western shore of the Paraná River, where it was received on September 24, 1919.  Today Zárate has a population of about 100,000.

 

004

 

mapa_de_BsAs

An Uncommon Use of a Common Precancel

 

001

Luxembourg-Ville used precancels from December 1900 to 1925.  The typographed precancels, introduced in 1908, show only the word "LUXEMBOURG" and the last two digits of the year of their validity.  Many collectors and dealers mistake them for overprints or surcharges.

They were primarily used to send newspapers or printed matter, so uses on a cover such as you see here are scarce, even though many Luxembourg precancels, as loose stamps, are common.

This beautifully preserved mourning cover is franked with Luxembourg's 2c Coat of Arms definitive (Prifix No. 105) precanceled "16" for “1916” to pay the 2c domestic rate for printed matter up to 50 grams.  While Prifix values the precancel off cover at only 25c, this cover realized € 163.00+ in an October 2012 European auction.

Precanceled mourning covers are uncommon, and especially so from Luxembourg, where precancel use was never extensive and was limited to just one town.

The standard reference on Luxembourg precancels is Dieter Basien, Handbuch zur Philatelie in Luxemburg, Lieferung 5.0, Vorausentwertungen (FSPL: 2005).  An earlier work is Dr. A. Van Visschel, Die Vorausentwertungen von Luxemburg (Bund Deutscher Philatelisten e.V.: 1991).

002

Saturday, November 17, 2012

Searching for Secret Writing—Chemical Censorship of a Luxembourg Mourning Cover

 

[As some of you know, I am a member of The Mourning Stamps and Covers Club.  Here’s a piece I recently submitted to their journal, “Mourning Notes,” featuring a favorite cover from my collection of Luxembourg mourning covers.]

Secret writing with invisible ink has long been a mainstay of combatants and others to conceal messages and thereby evade postal censors. During World Wars I and II, the German postal censors used a variety of chemicals to occasionally test cards, envelopes and enclosures for invisible ink. Thus, knowledgeable postal history collectors can find covers swiped by the German censors with chemicals such as copper sulfate in their search of the wartime mails for the presence of secret writing.

001

 

002

The mourning cover shown above was posted from Diekirch, Luxembourg, March 30, 1943. The 12-Rpf. Hitler-head definitive[1] pays the 20-gram letter rate to a nun at the Convent of Berthem in Berthem, Belgium, near Louvain. The sender’s surname (Hamaide) is the same as that of the addressee, so presumably the death notice was en route to a cloistered relative of the decedent.

The censor clerk, whose identification number (“22”) appears on the back, swiped the envelope with two different chemicals (referred to as “pH indicators” or “developers”). One appears as light blue swipes front and back; the other, as almost colorless swipes crossing the blue swipe on the front and running parallel to the blue swipe on the back.

The mourning cover has been opened, presumably to allow the censor to also inspect the contents. The resealing tape is tied by the censor’s red Oberkommando der Wehrmacht cancel with code letter “c.” The code letter identifies the censorship office—in this instance, Cologne, where most cross-border civilian mail sent to and from Luxembourg, Belgium, the Netherlands, and northern France was censored.

Covers such as this present intriguing questions. Why was this cover selected for chemical inspection?

  • Did affixing of the 12 Rpf. Hitler-head stamp up-side-down trigger suspicion?
  • Was the use of French in the address the censor’s concern? Luxembourg was occupied in May 1940; in August 1940, the occupiers banned the use of French.
  • Was mail to a convent In Belgium suspicious, given the support by Catholic clergy and nuns of the Luxembourg Resistance movement?
  • Were mourning covers simply more likely to be chemically censored than other types of correspondence?

Surely readers can help us learn more about this unusual mourning cover genre by contributing scans of covers in their collections that show German censorship by chemical inspection—both during World War I and World War II.

Only two other mourning covers are known that were chemically censored—one that was sent from Paris to Germany in August 1944; the other from World War I, sent from the Alsace to Switzerland in July 1915.  See Gene Zhiss and Elmer Cleary, “Chemical Censorship on Mourning Covers,” Mourning Notes: Newsletter of the Mourning Stamps and Covers Club 3, no. 12 (Oct-Dec. 2009): 17-18.

To learn more about chemical censorship with many examples from Netherlands postal history, see Franklin Ennik’s fine article, “Secret Writing and Chemical Censorship of the Mails by the German Postal Authority,” Netherlands Philately: Magazine of the American Society for Netherlands Philately 36, no. 5 (July 2012): 123-137.


[1] Use of German stamps in Luxembourg was required beginning January 1, 1942. And In August 1942, the German authorities formally annexed Luxembourg into the Third Reich of Nazi Germany as part of the Gau Moselland.